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A weekly email taking aim at the relentless absurdity of the 24-hour news cycle.
“Thjorsá River #2, Southern Region, Iceland,” a photograph by Edward Burtynsky, whose work is on view through June 8 at Nicholas Metivier Gallery, in Toronto.
© The artist. Courtesy Nicholas Metivier Gallery, Toronto
Janela, a mixed-media artwork by Thalita Hamaoui, whose work is on view through July 6 at Simões de Assis, in Balneário Camboriú, Brazil.
Courtesy the artist and Simões de Assis
Courtesy the artist and Fabrik Projects, Los Angeles
Feminine Echoes from the Pastoral Underground, a painting by Lauren dela Roche, whose work is on view through June 15 at Eric Firestone Gallery, in New York City.
Courtesy the artist and Eric Firestone Gallery
The Script, a mixed-media artwork (jeans, baby garments, sand, twine, chalk, paint, fiber fill) by Joy Ray, whose work is on view through May 12 as part of the exhibition The Golden Thread: A Fiber Art Exhibition, presented by BravinLee Programs at the Seaport in New York City.
Courtesy the artist and BravinLee Programs, New York City
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“The black public intellectual is called forth to explain the black part of that identity with little consideration for what formed the intellectual part. The white audience does not seek out black public intellectuals to challenge their worldview; instead they are meant to serve as tour guides through a foreign experience that the white audience wishes to keep at a comfortable distance. White people desire a representative of the community who can provide them with a crash course. It is easier, then, for a white public unwilling to grapple with the complexities of these varying disciplines, and the perspectives they produce, to reduce their engagement with black public intellectuals down to a handful of spokespeople, and hopefully, only one.”
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